You already chose a format for your Something Real VET interview presentation and named two universal design priorities you want to honour. Today you put those decisions on paper before you open any software. A rough sketch locks structure, audience fit, and accessibility intent while it is still cheap to change, which is exactly what you need before you build the live piece the SEC examiner will see.
Open last lesson’s notes or sticky. On a blank A4 page, write at the top: your format (for example five-slide deck, short video storyboard, infographic) and your two universal design priorities. If those notes are missing, take 30 seconds now to restate format + two principles with your teacher, then write them on the page before we continue.
Picture the SEC examiner and your teacher at the VET interview for your Something Real project. If they saw only the first screen, slide, or frame of your presentation, what should they understand in the first three seconds? Hold that answer in your head; your sketch starts there.
Today’s quality bar: structure, titles, and universal design labels. Not pretty. Clear. If your page looks rough, you are doing it right — a messy labelled plan beats a pretty empty deck.
Your teacher will point these ideas out on the worked-example sketch. The formal names are just labels for what you can already see on the board.
| Concept | Why it matters | Example |
|---|---|---|
| Low-fidelity sketch — a rough plan of structure and flow using boxes, titles, and labels, not finished design | Software tempts polish too early; paper keeps you focused on what the examiner must understand | Five labelled boxes for a Work Experience placement pitch, titles only, no colours or icons yet |
| Structure before polish — decide order, hierarchy, and one idea per section before fonts, colours, or motion | If the structure is wrong, no amount of Canva styling or slide animation saves the interview | A small enterprise pitch ordered as Hook → Problem → Offer → Numbers → Ask, written as five slide titles |
| Labelled universal design — mark on the sketch where each chosen UD principle will show up in the live piece | Priorities only count if they change the plan; a label turns a good intention into a build instruction | Arrow to slide 1 saying "large title, high contrast for equitable use" and a note under an image box saying "alt text + spoken description" |
| VET audience on the page — design for the SEC examiner and teacher who must verify learning, not for a peer scroll | Interview adults need clear evidence of skill and project ownership, not entertainment alone | A closing frame labelled "What I can do / evidence from my portfolio" rather than only a brand logo |
Aoife is building a small enterprise pitch for a weekend coffee cart near her local GAA pitch. Her format is a five-slide deck for the VET interview. Her two universal design priorities are equitable use (large, high-contrast text readable from across a table) and perceptible information (every image has alt text planned, and key numbers are said aloud as well as shown).
Her sketch on landscape A4 looks like this:
That is the bar for your sketch later: structure, titles, and universal design labels. Not pretty. Clear. Messy handwriting is fine if every title and label can still be read in a photo.
With your teacher leading on the board, watch and copy the sketch method using Aoife’s coffee-cart example (or one volunteer project). Stay on paper or scrap: titles first, universal design labels second, no software. You are learning the moves now. You will build your own Something Real VET sketch in Independent Practice, then save the photo in the activity after that.
Keep it rough checklist: boxes and short titles only · at least two UD labels with a concrete build note · readable opening beat · no colour, icons, or full paragraphs yet.
Keep this table open as a reference while you sketch and while you bank the photo. Your teacher will not read every row aloud unless hands go up.
| Issue | Solution |
|---|---|
| My sketch is turning into a finished design | Stop adding colour, icons, and full sentences. Erase decoration and keep boxes, short titles, and UD labels only. |
| I cannot remember my two universal design priorities | Check the notes or checklist from the earlier universal design lesson in this unit. If they are missing, pick two principles again with your teacher and label both on the sketch before you photograph it. |
| The photo is blurry or cuts off labels | Retake square-on in brighter light, fill the frame with the page, and confirm every title is readable before you upload. |
| I cannot get the photo from my phone onto the classroom computer | Use the class default: email the image to your school account and open the message on the classroom computer, or use the shared class device your teacher named. Ask before using a cable or USB. |
| I uploaded the file but cannot find it later | Check you are inside {{code:Project_Portfolio}} → {{code:09_specialism}} → {{code:sm2}} and that the file is named {{code:sm2_vet_sketch_v1.png}}, not the camera’s default name. |
| My format is audio or video, not slides | Sketch beats on a timeline or storyboard strip instead of slide boxes. Still title each beat and still label your two UD priorities on the page. |
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