A presentation that lands with your classmates can fall flat in a VET interview, and the reverse is also true. Today you will pin down who is actually in the VET interview room, what they already know, and what they need from you so your Something Real pitch is built for the people who will judge it, not for the people who already know your project.
Think of the last time you explained your Something Real project to a friend. Now picture explaining that same project to a stranger who has never heard of you, your school, or your idea. What would you have to add, drop, or say more clearly for the stranger?
If you do not have a stable Something Real project yet, use the teacher-approved starter project for today's profile. You can swap in your own project later.
These four ideas shape every slide, clip, or infographic you build for the VET interview. Your teacher will walk the table live, then reveal a sample profile on the board one section at a time. Watch the board — do not read ahead.
| Concept | Why it matters | Example |
|---|---|---|
| Audience — the real people who will see, hear, or judge your presentation | Design choices only work if they match who is in the room | — |
| VET interview audience — the SEC examiner plus your LCA ICT teacher | They verify learning and skill; they are not peers catching up on your project | — |
| Peer audience vs assessor audience — classmates already share context; assessors do not | What works in class can waste interview minutes, and the reverse is true | — |
| Audience profile — a short written picture of who is listening, what they need, and what will convince them | Stops you designing for yourself or your mates when the stakes are assessment | — |
Sample model: Your teacher will reveal a full sample Audience Profile on the board section by section (Who / Already know / Need to see / Convince / Lose). Watch each section as it appears. The sample project is only a model — yours must name your Something Real project (or today's starter project).
Sort each statement into the audience it fits best: a peer audience (classmates) or the VET interview audience (SEC examiner plus your teacher). Sort by what that room wants, tolerates, or responds to. Each card has a best-fit audience — be ready to say why you put it there.
Your teacher will talk the class through the cards first. Only then will you place them and check the sort.
Before you write your Audience Profile, check these three stalls. If any of them sounds like you, use the fix on the right.
| Issue | Solution |
|---|---|
| My profile reads as if the examiner already knows my project from class | Rewrite What they already know for a competent stranger: keep LCA/VET rules, drop class-only context, and spell out the problem and product cold |
| My peer lines and VET lines look almost the same | Push tone, assumed knowledge, and evidence apart — classmates share context and slang; the examiner needs structure, proof, and a calm professional tone |
| I only listed who is in the room | Add short lines for What they need to see, What will convince them, and What will lose them, all tied to your Something Real project |
Your teacher will first model two short bullets live on the board for a volunteer or starter project (What they need to see and What will lose them). Then complete these steps for your project:
Sentence starters (use or adapt):
Bullet points are fine — a clear rough profile beats a polished empty page. You can tidy wording later. If a section feels empty, start with What will lose them; most people know what not to do first.
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